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Nosferatu, under the tutelage of Murnau, expresses his game #2. |
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1. b4
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The Sokolsky opening. A wing eccentricity that looks a little ridiculous, though it has more than a bit of poison for the unsuspecting (it's much more sound than say, the Grob). If black plays passively white can eventually transpose into the family of more conventional d4/c4 openings with more queenside space. |
3 comments
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1... d5
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1. b4 e5 2. Bb2 Bxb4 3. Bxe5 is the "main line," such as it is, in this opening, and one any Sokolsky specialist can expect to be very comfortable in. |

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2. Bb2 Qd6
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My favored recipe against the Sokolsky. The queen is well posted here, as it both hits b4 and supports a e5 push. |
1 comment
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3. a3
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3. b5?! runs into Qb4. One sample line: 4. Be5 Qxb5 5. Bxc7 Qc5 6. Bg3 (or 6. Bxb8, ceding the bishop pair for...not a lot) Nc6, preparing ...e5 and black is already a little better. |
1 comment
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3... e5
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Full classical center achieved. |

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4. e3 Be7
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4. ...Nf6 is slightly more accurate, if only because white can now transpose to a more "proper" opening scheme with the Bird via 5. f4, if that's to white's taste. |

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5. c4 c6
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I prefer maintaining my center vs. advancing with ...d4 and then spending the middlegame defending this advanced target. 5. ...c6 also provides my queen luft on c7 in the event of a white push with c5. |
1 comment
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6. cxd5 cxd5 7. Nf3 f6
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I intended to develop my KN on h6, so this pawn move to fortify e5 is fine here. |
1 comment
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8. Be2 Be6 9. O-O Nh6 10. Nc3 a6
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Covering b5 from enemy knight harassment. |

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11. h3
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?! I didn't like this move on white's part. It covers g5 from invasion, however my knight would have been more likely to jump to f5, if anything. Additionally I think this pawn bunt sets up h3 as a rather obvious target in the future. |

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11... Nd7 12. d3
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White's position vaguely resembles a reversed sicilian, a sort of Scheveningen/Kan hybrid, with the "small center" at d3 and e3, and the queenside advances of a3 and b4. |

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12... O-O
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My development is complete; pieces out, rooks connected, castled, and ready for middlegame operations. I felt very content with my position, and I think black, with a strong center and more space, is easier to play and find harmonious plans. |

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13. b5
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I don't need to respond to white's bid for queenside play, especially since the majority of my army points more towards the king-side naturally. |

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13... f5
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! Gaining more space, clearing the f6 square for a piece, and preparing a break in the center. Depending on black's plan, a ...f4, ...d4, or even ...g5 push could all be justified with some prep, though I am more partial to ...f4. |

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14. d4 e4
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The obvious and strongest response to white's bid towards the center. Black closes the center and continues to gain space. |

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15. Ne5
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White decides to sac a pawn to open the position somewhat. He doesn't get full compensation, but then it's pretty thankless to face 15. Ne1 f5. |

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15... Nxe5 16. dxe5 Qxe5
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I wasn't worried about the strong enemy dark-squared cardinal on the a1-h8 diagonal. For one, the only "discovered" attack move is Na4, because otherwise the bishop hangs. |

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17. Na4 Qd6 18. bxa6 bxa6 19. Bd4
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White plants his bishop on the hole in the center, and shifts attention to the c5 square. |

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19... Rac8
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My queen on the third rank also protects a6, so I can spare this otherwise unengaged rook on the open file. |

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20. Nb6
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? White's first outright positional blunder. This knight sortie accomplishes nothing and wastes time. 20. Rb1 is called for, which is the logical follow-through from 19. Bd4. |

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